![]() Although they are sometimes mistaken for each other, the Adult Contemporary chart and the Adult Top 40 chart are separate charts, and songs reaching one chart might not reach the other. In 1996, Billboard created a new chart called Adult Top 40, which reflects radio station programming that exists somewhere between "adult contemporary" music and "pop" music. In April 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. After alternating the name of this chart twice more in less than a year, Easy Listening was again chosen as the chart name in 1965 when the change in compilation occurred. In 1964, the name changed again, this time to Pop-Standard Singles. The chart was known as the Easy Listening chart until 1962, when it was renamed Middle-Road Singles. Currently the Hot Adult Contemporary Tracks chart is compiled in much the same way as for other radio formats. By the early 1990s, automatic song detection and barcode sales information had begun to be the norm for most of the Billboard charts, although by this time the AC chart was based entirely on radio airplay and no longer incorporated retail sales reports. ( Record World's equivalent "non-rock" chart followed the same criteria from 1967 through 1971.) Beginning in 1965, the Easy Listening chart would begin to be compiled by a method similar to the one used for other Billboard singles charts: reported playlists from radio stations airing the format as well as sales data submitted by record stores. įrom 1961 to 1965, this chart was compiled from the Billboard Hot 100 chart by removing songs that were deemed rock and roll by the magazine and re-ranking the remaining songs. 1 song on the Billboard Easy Listening chart was " The Boll Weevil Song" by Brook Benton. The magazine offered an "Easy Listening" programming guide beginning January 9, 1961, which continued until the numbered chart appeared in July. Billboard had written articles about this trend during the time, and the magazine's editors decided to publish a separate chart for these songs beginning in 1961. The Billboard Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as " rock and roll" stations. 5.5 Artists with most cumulative weeks at number one.5.3 Songs with most weeks at number one. ![]() ![]() 5.2 The top 10 adult contemporary artists (1961–2011).He takes us right up to the edge of everyday language, the point where it drops off like an underwater cliff into something deeper. Guaranteed to blow your mind in the tradition of America’s smartest and weirdest bar bands. One of my favorite albums ever, it’s an odds-and-ends sort of deal that covers a range of styles and sonic fidelities yet coalesces around Roky’s unmistakable vision. The sensory overload of hearing familiar music in that manner was very inspiring. So we’d be driving around Philly with random static blaring at us, and anytime we approached the shore it would transform to deafening classic rock hits. A funny thing happened where my roommate’s car radio got stuck on 95.9 AND the volume got stuck on full blast. The Jersey Shore’s premier station for classic rock, where you’re sure to hear numbers like “Caught Up In You” or “Hurts So Good” or “Moneytalks” all summer long. You’d be surprised at how many of these songs were born out of that kind of necessity! When you’re working outside all day in February and it’s 10 degrees out, and you can’t feel your fingers or toes, and blasting your last remaining brain cell with Peter Brötzmann live recordings simply won’t do, how do you hold onto your sanity? Coming up with little melodies and jingles is one strategy that works for me. Physical discomfort and mental understimulation 2ND GRADE - 10 THINGS THAT INFLUENCED 'EASY LISTENING'
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